SibA Research Days 2022
SibA Research Days is an annual event, showcasing the Sibelius Academy doctoral studies.
![Paperisipllua, kynä ja kuulokkeet lattialla](https://www.uniarts.fi/uploads/2022/01/ac8080a5-022_uniarts_brand_2017_siba_hires-1-1200x801.jpg)
Research Days will be held in person and online in hybrid format. Programme will be updated regularly. Please note that if the COVID restrictions prevent an in-person event, the Research Days will be entirely online.
Programme on Tuesday 8 March
Aleatoric & Folk Music, Chair: Lucy Abrams-Husso
9:45 Opening words – Anu Vehviläinen (DocMus)
10:00 Helga Karen: “(Not Just) Leaving It To Chance” (Paper in English in person)
10:30 Emilia Lajunen: “A Village of Haunted Fiddlers — Archive recordings as a resource” (Lecture Recital in English in person)
11:00 Coffee Break in Agora
11:20 Grant Writing and Research Funding: Veli-Markus Tapio (SKR), Sebastian Lindberg (Ehrnrooth) (ENG)
12:20 LUNCH
Performer Communication and Agency, Chair: Krishna Nagaraja
13:40 Jaska Lukkarinen: Philly Joe’s Beat – The rhythmically communicative aspects of Philly Joe Jones’s comping (Lecture Recital in English in person)
14:10 Lucy Abrams-Husso: Perspectives on Performer Agency in Electroacoustic Works for Clarinet (Paper in English in person)
14:40 Coffee Break in Agora
15:00 Keynote: (Agora): Jukkis Uotila: Jazz Improvisation (Online)
16:00 Reception in Agora
Programme on Wednesday 9 March
Discontinuity & Music Education, Chair: Jaakko Lukkarinen
10:00 Matei Gheorghiu: Dissecting various types of discontinuity (Lecture Recital in English in person)
10:30 Martin Galmiche: Music and music education as spaces (Paper in English online)
11:00 Coffee Break
11:20 Score Edition & Score-Tool
Markus Virtanen: From the Archive to the Concert Hall: On editing and performing Ann-Elise Hannikainen’s works for violin and piano (Lecture Recital in English in paper, featuring Linda Suolahti, violin and Tiina Karakorpi, piano)
Uljas Pulkkis: Audibility prediction of target instrument sound in orchestration (Paper in English in person)
12:20 LUNCH
Symphony & Improvisation, Chair: Uljas Pulkkis
13:40 Kimmo Hakola: The idea of a symphony (Paper in English online)
14:10 Libero Mureddu: Joy Against the Machine #4: a computer-controlled algorithmic score for improvisers (Lecture Recital in English in person, featuring Livia Schweizer, flutes, Aino Juutilainen, cello, Ville Herrala, double bass and Libero Mureddu, piano and electronics)
14:40 Coffee Break
15:00 Keynote: Jan Schacher: ‘Live play’ intertwines Uncertainty, Contingency, and Affect: From Performance Practice to Research Attitude (in English in person)
16:00 Closing Words – Päivi Järviö (DocMus)
Registration
The registration to participate in the event is open to 7 March 2022. Please specify in your registration form if you would like to attend in person or online. In the event that COVID restrictions prevent an in-person event, the Research Days will be entirely online.
Working group
- Uljas Pulkkis
- Krishna Nagaraja
- Lucy Abrams-Husso
- Jaakko Lukkarinen
- Iryna Gorkun-Silén
More information
Research Days will be held in person and online in hybrid format. Programme will be updated regularly. Please note that if the COVID restrictions prevent an in-person event, the Research Days will be entirely online.
Programme on Tuesday 8 March
Aleatoric & Folk Music, Chair: Lucy Abrams-Husso
9:45 Opening words – Anu Vehviläinen (DocMus)
10:00 Helga Karen: “(Not Just) Leaving It To Chance” (Paper in English in person)
10:30 Emilia Lajunen: “A Village of Haunted Fiddlers — Archive recordings as a resource” (Lecture Recital in English in person)
11:00 Coffee Break in Agora
11:20 Grant Writing and Research Funding: Veli-Markus Tapio (SKR), Sebastian Lindberg (Ehrnrooth) (ENG)
12:20 LUNCH
Performer Communication and Agency, Chair: Krishna Nagaraja
13:40 Jaska Lukkarinen: Philly Joe’s Beat – The rhythmically communicative aspects of Philly Joe Jones’s comping (Lecture Recital in English in person)
14:10 Lucy Abrams-Husso: Perspectives on Performer Agency in Electroacoustic Works for Clarinet (Paper in English in person)
14:40 Coffee Break in Agora
15:00 Keynote: (Agora): Jukkis Uotila: Jazz Improvisation (Online)
16:00 Reception in Agora
Programme on Wednesday 9 March
Discontinuity & Music Education, Chair: Jaakko Lukkarinen
10:00 Matei Gheorghiu: Dissecting various types of discontinuity (Lecture Recital in English in person)
10:30 Martin Galmiche: Music and music education as spaces (Paper in English online)
11:00 Coffee Break
11:20 Score Edition & Score-Tool
Markus Virtanen: From the Archive to the Concert Hall: On editing and performing Ann-Elise Hannikainen’s works for violin and piano (Lecture Recital in English in paper, featuring Linda Suolahti, violin and Tiina Karakorpi, piano)
Uljas Pulkkis: Audibility prediction of target instrument sound in orchestration (Paper in English in person)
12:20 LUNCH
Symphony & Improvisation, Chair: Uljas Pulkkis
13:40 Kimmo Hakola: The idea of a symphony (Paper in English online)
14:10 Libero Mureddu: Joy Against the Machine #4: a computer-controlled algorithmic score for improvisers (Lecture Recital in English in person, featuring Livia Schweizer, flutes, Aino Juutilainen, cello, Ville Herrala, double bass and Libero Mureddu, piano and electronics)
14:40 Coffee Break
15:00 Keynote: Jan Schacher: ‘Live play’ intertwines Uncertainty, Contingency, and Affect: From Performance Practice to Research Attitude (in English in person)
16:00 Closing Words – Päivi Järviö (DocMus)
Registration
The registration to participate in the event is open to 7 March 2022. Please specify in your registration form if you would like to attend in person or online. In the event that COVID restrictions prevent an in-person event, the Research Days will be entirely online.
Working group
- Uljas Pulkkis
- Krishna Nagaraja
- Lucy Abrams-Husso
- Jaakko Lukkarinen
- Iryna Gorkun-Silén